SCOTT MCKENZIE

SCOTT MCKENZIE (BORN PHILIP WALLACH BLONDHEIM, JANUARY 10, 1939 – AUGUST 18, 2012) WAS AN AMERICAN SINGER AND SONGWRITER. HE WAS BEST KNOWN FOR HIS 1967 HIT SINGLE AND GENERATIONAL ANTHEM, “SAN FRANCISCO (BE SURE TO WEAR FLOWERS IN YOUR HAIR)”.[
Blondheim was born in Jacksonville, Florida, in 1939.[2] His family moved to Asheville, North Carolina, when he was six months old.[3] He grew up in North Carolina and Virginia, where he became friends with the son of one of his mother’s friends, John Phillips. In the mid-1950s, he sang briefly with Tim Rose in a high school group called The Singing Strings, and later with Phillips, Mike Boran, and Bill Cleary formed a doo wop band, The Abstracts.
In New York, The Abstracts became The Smoothies and recorded two singles with Decca Records, produced by Milt Gabler. During his time with The Smoothies, Blondheim decided to change his name for business reasons:
“[We] were working at one of the last great night clubs, The Elmwood Casino in Windsor, Ontario. We were part of a variety show … three acts, dancing girls, and the entire cast took part in elaborate, choreographed stage productions … As you might imagine, after-show parties were common.
“At one of these parties I complained that nobody could understand my real name … [and] pointed out that this was a definite liability in a profession that benefited from instant name recognition. Everyone started trying to come up with a new name for me. It was [comedian] Jackie Curtis who said he thought I looked like a Scottie dog. Phillips came up with Laura’s middle name after Jackie’s suggestion. I didn’t like being called “Scottie” so everybody agreed my new name could be Scott McKenzie.”[4]
In 1961 Phillips and McKenzie met Dick Weissman and formed the folk group, The Journeymen, at the height of the folk music craze. They recorded three albums and seven singles for Capitol Records.[5] After The Beatles became popular in 1964, The Journeymen disbanded.[6] McKenzie and Weissman became solo performers, while Phillips formed the group The Mamas & the Papas with Denny Doherty, Cass Elliot, and Michelle Phillips and moved to California.
McKenzie originally declined an opportunity to join the group, saying in a 1977 interview, “I was trying to see if I could do something by myself. And I didn’t think I could take that much pressure”.[7] Two years later, he left New York and signed with Lou Adler’s Ode Records.

San Francisco (Be Sure To Wear Some Flowers In Your Hair) (1967)
Phillips wrote and co-produced “San Francisco (Be Sure to Wear Flowers in Your Hair)” for McKenzie. John Phillips played guitar on the recording and session musician Gary L Coleman played orchestra bells and chimes. The bass line of the song was supplied by session musician Joe Osborn. Hal Blaine played drums.
It was released on 13 May 1967 in the USA and was an instant hit, reaching number 4 on the Billboard Hot 100 and number 2 in the Canadian RPM Magazine charts. It was also a number 1 in the UK and several other countries, selling over seven million copies globally.[8]
McKenzie followed the song with “Like An Old Time Movie”, also written and produced by Phillips, which was a minor hit (number 27 in Canada). His first album, The Voice of Scott McKenzie, was followed with an album called Stained Glass Morning. He stopped recording in the early 1970s and lived in Joshua Tree, California, and Virginia Beach, Virginia.
McKenzie also penned the song “Hey! What About Me” that launched the career of Canadian singer Anne Murray in 1968.[9]
In 1986, he started singing with a new version of The Mamas and the Papas. With Terry Melcher, Mike Love, and John Phillips, he co-wrote “Kokomo” (1988), a number 1 single for the Beach Boys.
By 1998, he had retired from the road version of The Mamas and Papas, and resided in Los Angeles, California, until his death.[10][11] He appeared at the Los Angeles tribute concert for John Phillips in 2001, amongst other 1960s contemporary acts.[12]

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JOHNNIE ALEXANDER BASSETT

JOHNNIE ALEXANDER BASSETT (OCTOBER 9, 1935 – AUGUST 4, 2012) WAS A DETROIT-BASED AMERICAN ELECTRIC BLUES GUITARIST, SINGER, AND SONGWRITER. WORKING FOR DECADES PRIMARILY AS A SESSION MUSICIAN, BY THE 1990S BASSETT HAD HIS OWN BACKING BAND AND RELEASED SEVEN ALBUMS IN HIS LIFETIME. HE CITED BILLY BUTLER, TINY GRIMES, ALBERT KING, B.B. KING AND ESPECIALLY T-BONE WALKER AS MAJOR INFLUENCES.[
Born in Marianna, Florida,[3] Bassett relocated with his family in 1944 to Detroit.[2] As a guitarist in his local group, Joe Weaver and the Bluenotes, they won talent contests, and locally backed Big Joe Turner, and Ruth Brown. In 1958, Bassett enrolled into the United States Army, but on his return to Detroit worked with the Bluenotes as session musicians for Fortune Records.[2][4] During this time he provided accompaniment to Nolan Strong & The Diablos and Andre Williams.[2] He later backed The Miracles in a short tenure at Chess Records, working on their debut single, “Got a Job” (1958).[2][5][6][7] In concerts while in Detroit, Bassett played on stage alongside John Lee Hooker, Alberta Adams, Lowell Fulson and Dinah Washington.[2]
Basset spent most of the next decade doing gigs in Seattle, also backing Tina Turner and Little Willie John.[2]
The Detroit Blues Society recognized Bassett’s contribution to the blues with a lifetime achievement award in 1994.[5] He released the album I Gave My Life to the Blues on the Dutch label Black Magic in 1996, before recording and touring in North America and Europe with his own backing band, the Blues Insurgents.[2] Their 1998 album Cadillac Blues was nominated for five W.C. Handy Awards.[5] His then record label, Cannonball Records ceased to trade, but Mack Avenue Records signed him to a new recording contract, after its owner saw Bassett and his band play in concert in Detroit’s suburb of Grosse Pointe.[5]
At the 2003 Great Lakes Folk Festival, Bassett performed as part of the Detroit Blues Revue with Alberta Adams and Joe Weaver.[8] At the 2006 Detroit Music Awards, Bassett won the ‘Outstanding Blues/R&B Instrumentalist’ title. In both 2010 and 2011, he was awarded the ‘Outstanding Blues Artist/Group’ title.

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JAMES “JIMMY” JONES

JAMES “JIMMY” JONES (JUNE 2, 1937[1] – AUGUST 2, 2012) WAS AN AMERICAN SINGER-SONGWRITER WHO MOVED TO NEW YORK WHILE A TEENAGER.[2] ACCORDING TO ALLMUSIC JOURNALIST STEVE HUEY, “BEST KNOWN FOR HIS 1960 R&B SMASH, ‘HANDY MAN,’ JONES SANG IN A SMOOTH YET SOULFUL FALSETTO MODELED ON THE LIKES OF CLYDE MCPHATTER AND SAM COOKE.”[2]

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