Lonnie Melvin “Mel” Tillis (August 8, 1932 – November 19, 2017) was an American country music singer and songwriter. Although he recorded songs since the late 1950s, his biggest success occurred in the 1970s, with a long list of Top 10 hits.
Tillis’s biggest hits include “I Ain’t Never”, “Good Woman Blues”, and “Coca-Cola Cowboy”. On February 13, 2012, President Barack Obama awarded Tillis the National Medal of Arts for his contributions to country music.He also has won the CMA Awards’ most coveted award, Entertainer of the Year. He is also known for his speech impediment, which does not affect his singing voice. His daughter is country music singer Pam Tillis.
He died on November 19, 2017, at the age of 85.
Malcolm Mitchell Young (6 January 1953 – 18 November 2017) was an Australian musician and songwriter, best known as a co-founder, rhythm guitarist, backing vocalist and songwriter for the hard rock band AC/DC. Except for a brief absence in 1988, he was with the band from its November 1973 beginning until retiring in 2014 for health reasons. Young and the other members of AC/DC were inducted into the Rock and Roll Hall of Fame in 2003.
Though his younger brother Angus is the more visible of the brothers, Malcolm was described as the driving force and the leader of the band. In 2014, he stated that despite his retirement from the band, AC/DC was determined to continue making music with his blessing.As the rhythm guitarist, he was responsible for the broad sweep of the band’s sound, developing many of their guitar riffs and co-writing the band’s material with Angus. He was married to Linda Young and had two children, Cara and Ross.
Young took a leave of absence from AC/DC in April 2014, to receive treatment for dementia.In September 2014, the band’s management announced that he would be retiring permanently. He died on 18 November 2017.
Charles Henry Mosley III (December 26, 1959 – November 9, 2017 was an American singer-songwriter who was best known as the frontman for Faith No More from 1984 to 1988. During his tenure with the band, they released two albums, We Care a Lot and Introduce Yourself.
Mosley first met Billy Gould in 1977, going to a The Zeros, Johnny Navotnee and Bags show. He then went on to play keyboards in Billy’s first band, The Animated, in 1979. In 1984 he joined Haircuts That Kill, a post-punk band from the San Francisco area, which lasted up until Mosley’s joining of Faith No More. He joined Faith No More in 1985 replacing, among others, Courtney Love (Hole) who had a brief stint as lead singer. AllMusic states that Mosley’s “out of tune” vocals for Faith No More are “an acquired taste to most
Antoine “Fats” Domino Jr. (February 26, 1928 – October 24, 2017) was an American pianist and singer-songwriter of French Creole descent. Five of his records released before 1955 sold over a million copies and were certified as gold records, and he had 35 records in the U.S. Billboard Top 40. His musical style is based on traditional rhythm and blues, accompanied by saxophones, bass, piano, electric guitar, and drums..
Domino was one of the biggest stars of rock and roll in the 1950s and one of the first R&B artists to gain popularity with white audiences. His biographer Rick Coleman argues that Domino’s records and tours with rock-and-roll shows in that decade, bringing together black and white youths in a shared appreciation of his music, was a factor in the breakdown of racial segregation in the United States…
Domino was also an important influence on the music of the 1960s and 1970s and was acknowledged as such by some of the top artists of that era. Elvis Presley introduced Fats at one of his Las Vegas concerts by saying “this gentleman was a huge influence on me when I started out”. Both John Lennon and Paul McCartney recorded Domino songs. McCartney reportedly wrote the Beatles song “Lady Madonna” in emulation of Domino’s style, combining it with a nod to Humphrey Lyttelton’s 1956 hit “Bad Penny Blues”. Domino returned to the “Hot 100” chart for the last time in 1968, with his recording of “Lady Madonna”. That recording, as well as covers of two other songs by the Beatles, appeared on his Reprise album Fats Is Back,