Gabriel Perrodin (August 17, 1937 – January 28, 2017), known as Guitar Gable

Gabriel Perrodin (August 17, 1937 – January 28, 2017), known as Guitar Gable, was an American Louisiana blues, swamp blues and swamp pop musician. He was best known for recording the original version of “This Should Go On Forever”, and his part in the vibrant swamp blues and pop scene in Louisiana in the 1950s and early 1960s.
He was born in Bellevue, Bossier Parish, Louisiana, United States. His father was Creole. Guitar Gable was influenced by the music of Guitar Slim, and was self-taught in playing the guitar by his mid-teens. He formed a group called the Swing Masters, and was later introduced to King Karl (born Bernard Jolivette). “Guitar Gable had been playing jobs with some little guy out of Lafayette,” Karl recalled to swamp pop historian Shane K. Bernard. “Anyhow, there was this priest, Father Millet, and one day he said, ‘I was told you was fixing to be in a band. I got a good boy. I would like for you to get together with him ’cause I don’t like the company he’s with’.” King Karl met Guitar Gable at a Swing Masters concert, and afterwards Gable left them to join King Karl, Gable’s brother Clinton “Fats” Perrodin on bass guitar, and drummer Clarence “Jockey” Etienne, to form the Musical Kings.
Introduced to the record producer J. D. “Jay” Miller, the Musical Kings eventually became the heart of Miller’s preferred studio musical ensemble. They backed musicians such as Lazy Lester, Classie Ballou, Skinny Dynamo, Bobby Charles and Slim Harpo. “I’m a King Bee” was written by Slim Harpo under his real name of James Moore. The song was recorded in March 1957 and was originally released that year as the B-side to his debut solo single, “I Got Love if You Want It”. Its popularity led to Excello Records swapping the sides over. The other musicians on the recording were Gable (guitar); Fats Perrodin (bass); and Jockey Etienne (drums).
Guitar Gable and the Musical Kings had earlier recorded their own debut single for Excello in 1956. His first track was the pacy instrumental “Congo Mombo”, which relied on the melody of “Frankie and Johnny”. The A-side of the single was “Life Problem”, which featured King Karl’s vocals. The follow-up release included the swamp pop classic, “Irene”, which later influenced Jimmy Clanton’s “Just A Dream”.
Subsequent releases followed a similar pattern with Gable’s Caribbean-laced instrumentals such as “Congo Mombo,” “Guitar Rhumbo” and “Gumbo Mombo,” pitched against rock and roll tracks including “Cool, Calm, Collected” and “Walking in the Park.” It was the blues influenced ballads including “Irene,” “Life Problem” and “This Should Go On Forever” that caused most interest. The latter track was recorded by Gable and his band in 1958, but did not find favour with Miller. A cover version was recorded by Rod Bernard, and it reached the Top 20 of the US Billboard R&B chart. Gable’s original was finally released in February 1959, but failed to match the success of Bernard’s cover.
Gable and Karl left Miller and Excello in disgust, and were reduced to issuing work on the much smaller labels of La Louisianne and Tamm into the early 1960s. Gable served in the armed forces but later continued with his own band, maintaining a following in local clubs until 1968. In the 1970s, Gable performed regularly with Lil’ Bob and the Lollipops, before he initially retired from performing in the 1980s.
In the 1990s, Guitar Gable was tempted back to the performing stage by C.C. Adcock.
Gable’s guitar work featured on Slim Harpo’s 2011 compilation album, Rocks.
Guitar Gable died in hospital at Opelousas, Louisiana, on January 28, 2017.

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Geoffrey James “Geoff” Nicholls

Geoffrey James “Geoff” Nicholls (28 February 1944 – 28 January 2017) was a British musician and keyboardist, and longtime member of the heavy metal band Black Sabbath, until 2004. Nicholls also played in the NWOBHM band Quartz, before joining Black Sabbath. In the late 1960s/early 1970s, Geoff played lead guitar for the Birmingham band Johnny Neal and the Starliners.
Nicholls was originally brought in as a second guitarist when Black Sabbath doubted whether they would even continue under that name. Nicholls then switched to bass when Geezer Butler left briefly, and then became the band’s keyboardist upon Butler’s return and the decision to keep the Sabbath name. Nicholls’ first appearance on a Black Sabbath album was on Heaven and Hell (1980), and he was credited as keyboardist on every Sabbath release from that time until 13 (2013), although he was not an official member until 1986. He remained an official member until 1991, then regained member status from 1993 to 1996. He was an unofficial member once again since the reunion with Ozzy Osbourne in 1997. Although his main role with Sabbath was on the keyboard, Nicholls also played some rhythm guitar on the reunion tours, e.g., during Iommi’s solo in “Snowblind” and a few tracks during the Headless Cross (1989) and Forbidden (1995) tours.[1]
In addition to not always being credited as a full member of the band, Nicholls rarely appeared on stage proper during Sabbath shows; instead he usually played from a side-stage or backstage position. One exception to this was the tour in support of the album Seventh Star (1986), wherein he played on stage as an equal member of the band. Another is a concert in May 1988, wherein Nicholls played bass for a charity function.
Nicholls’ involvement with the band ended when Adam Wakeman (a member of Ozzy Osbourne’s solo band) was chosen to play keyboards during Sabbath’s 2004 and 2005 tours as part of Ozzfest, and Scott Warren (Dio) handled keyboard duties on the 2007 Heaven & Hell tour.
Until his death, Nicholls played keyboards with former Black Sabbath singer Tony Martin, in his band Tony Martin’s Headless Cross.[2] Nicholls had previously performed on both of Martin’s solo albums and their support tours.

 

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Ronald Marvell Thomas

Ronald Marvell Thomas (August 22, 1941 – January 23, 2017) was an American keyboardist known for his work in Memphis Soul, and son of the man dubbed “Memphis’s other King”, Rufus Thomas. His sister Carla Thomas was known as the “Memphis Queen” after her breakthrough hit “Gee Whiz (Look at His Eyes)”.[1] His youngest sibling, Vaneese Thomas, is also an accomplished recording artist.

Born in Memphis, Tennessee, Thomas’s studio career started at the age of 17.[2] He was the first piano player to punch the clock at Stax Records. He played on the label’s earliest national hits, including “Burnt Biscuits” (by the short-lived group The Triumphs, later covered by Booker T. & the MGs), childhood friend William Bell’s “You Don’t Miss Your Water”, and the company’s first hit “Cause I Love You” (featuring a sixteen-year-old Booker T. Jones on saxophone), a duet by Rufus and Carla Thomas. He also played on some of Wilson Pickett sessions at Stax and at Muscle Shoals. More sessions at Muscle Shoals included Clarence Carter, Eddie Hinton, and Denise LaSalle.
Thomas worked frequently as keyboardist and arranger, appearing on albums by Johnnie Taylor, The Staple Singers, Little Milton, The Emotions, Albert King, Mavis Staples, Yvonne Elliman, and Etta James.[3]
Thomas co-produced and played keyboards on the multi-platinum Isaac Hayes album, Hot Buttered Soul.[4] His touring credits include concerts with The Temptations, and acting as music director for Peabo Bryson, Isaac Hayes, his father Rufus Thomas, and his sister Carla Thomas.
Thomas died after a brief illness in Memphis, Tennessee, at the age of 75

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