PART 3 OF AN ON GOING SAGA WHICH PITS A.D.H.D. RECORDS AGAINST HOLLYWOOD AND THE MUSIC INDUSTRY. AS THEY CONTINUE TO RIP OFF THE LITTLE GUY AND THE STRUGGLING ARTIST. FOR MILLIONS . AND THEY HAVE THE NERVE TO COMPLAIN ABOUT NAPSTER. JUST THIS ONE STORY IS A CLEAR EXAMPLE OF A MAJOR RIP OFF....BUT THEY RIPPED OFF THE WRONG PERSON THIS TIME......MAN I'M SO PISSED I ALREADY HAVE PART 4 AND 5 WRITTEN

       RADD THE DOORS THE LIES AND OTHER THINGS: PART 3

  
      If they wanted to prove me wrong, they could have over the past year when I had called them and respectfully tried to discussed it with The Doors Music Company, the lawyers for the Doors Music Company and the president of R.A.D.D. but like they robbed the very concept and the idea while I was sending it to them and begging them to use it for two years as they created R.A.D.D. behind my back. They ignored me and gave me every excuse in the book for why they couldn't let me use it. It’s a typical Hollywood story. Now they want to ignore me because they know I have the proof. After months of investigation on them and finding my own letters and original drafts, in all the piles of ads and songs and letters that I have created over the last 20 years I was able to find the original proof..
I have written two articles on my site and I am working on the third, as well as contacting The Traffic Safety Dept., N.H.T.S.A, THE AD COUNCIL OF WASHINGTON D.C., ROLLING STONE MAG, SPIN MAGAZINE, as well as the LA TIMES. What really pisses me off is that this company was build on false pretenses that they made up to try and cover up the tracks that might lead back to me, but they don't even have a good story on how it was created. On their site, they claim that some DJ just happened to mention it to Mr. Manezerek. There is, however, no name mentioned. and just like I am doing now if I were that DJ, I would demand that my name be added and get my name on its creation. However, there is no one. They prefabricated the whole story and after I contacted them they even added a disclaimer to the bottom of their page that says information may be wrong ...yadee yada. Yea, it may be wrong! It is wrong! All of it is wrong because I told them it was and they all remembered me as a very persistent guy back then... especially Mr. Swartz, whose last words to me were he admired my persistence.
Because after 2 years of banging on their door, I was now trying to make him feel guilty. I started saying, “Are you going to wait till someone in your family gets killed by a drunk driver?” ....I mean I tried every thing ...I even sent a letter to the Los Angeles Times, Times Mirror Square L.A., California 90053 
Att: Alma Cook at the Calendar Desk. As well as Ben Edmonds from Rolling Stone magazine You see, Mr. Swartz , Mr. Sugarman, Mrs. Melisano, Mr. David Nevins Jr., 
What you have is an organization that was my idea, that I pushed on you for two years, that I have letters and drafts of, letters, and phone numbers, and names of all the people I tried to contact to push this idea through. Yes, I was persistent for two years because it was a great idea and it still is .... and unless you can prove me wrong with all the evidence I have showing how I created it, that would mean that you robbed it. With all the money and the life you guys had, you robbed a 22 -year-olds idea. That idea could have changed my life. You deprived this twenty two-year-old of his dream and all of you conspired. Yes, I was persistent back then, but after two years I had to move on and I was putting my energy into other creations that I was working on at the same time ...like a song for the Statue of Liberty and its renovation and anti drug commercials and anti -drug rap songs that I was looking to do with Mr. T, trying to break into the business with B.B.D&O. an advertising agency, created my own greeting card line that I'm turning into the next blue mountain on the web, I was always trying to create new ideas and break new grounds and I always did .....and I still do, but I wanted to have a family and had kids in 1991, so I gave some of my persistence and time to switch course, but I never stopped creating. I started my own record label in 97 to bring all the ideas I created to life as MP3 became the new frontier. Then, ironically, an auto accident slowed down my plans to a crawl in ‘99 just when I was about to bust loose. Then on a cold winter snowy night while in 2001 I was riding home from a friend’s house, don't ask me why, but fate always plays a big part , in life and for the first time I heard that commercial that could have launched my career and the thousand of ideas I have. If you thought I was persistent then, you have inspired a whole new breed of inspiration in me. It’s like I was 22 all over again, and as Hendrix put it, “Here I come baby .I'm coming to get ya.”. 

LoOKING FOR A LAWYER WITH BALLS

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